Angelina Stepanova had taste and artistry by nature, but she had another, no less important positive charge - the ability to work: for the sake of any tiny role, she was able to give up all the delights of life. The main thing for her was always the case. Of course, we can say that the case is drying up, that devotion to the theater sometimes requires a departure from it, otherwise it is impossible to accumulate 'life impressions'. That is, those realities, without which the spiritual reserve is scarce, which immediately affects creativity. Stepanova was not in danger. She carried the mastery of the acting craft and was able to build her personal life so as not to damage the profession. She gave the best forces of her soul to the theater — this was the root of her success.