Мост через Бездну. Мистики и гуманисты

Ni odna kulʹtura, ni odin kulʹturnyĭ ėtap ne imeet takogo pri͡amogo otnoshenii͡a k sovremennosti, kak ėpokha Vozrozhdenii͡a. Renessans - naibolee progressivnyĭ i revoli͡ut͡sionnyĭ period v istorii chelovechestva. Ob ėtom rasskazyvaet Paola Dmitrievna Volkova v sledui͡ushcheĭ knige t͡sikla "Most cherez bezdnu", prinimai͡a ėstafetu u pervogo iskusstvoveda, Dzhorzho Vazari, nastoi͡ashchego cheloveka svoeĭ ėpokhi - pisateli͡a, zhivopist͡sa i arkhitektora. Khudozhniki Vozrozhdenii͡a - Sandro Bottichelli i Leonardo da Vinchi, Rafaėlʹ i Tit͡sian, Ieronim Boskh i Piter Breĭgelʹ Starshiĭ - nikogda ne byli prosto khudozhnikami. Oni byli filosofami, oni byli zari͡azheny glavnymi i osnovnymi problemami vremeni. Zhivopist͡sy Renessansa, vernuvshisʹ k idealam Antichnosti, sozdali t͡selʹnui͡u, obladai͡ushchui͡u vnutrennim edinstvom kont͡sept͡sii͡u mira, napolnili tradit͡sionnye religioznye si͡uzhety zemnym soderzhaniem.

No culture, no cultural stage has such a direct relation to modernity as the Renaissance. The Renaissance is the most progressive and revolutionary period in the history of mankind. Paola Dmitrievna Volkova tells about this in the next book of the cycle "Bridge over the Abyss", taking the baton from the first art critic, Giorgio Vasari, a real man of his era - a writer, painter and architect. Renaissance artists - Sandro Botticelli and Leonardo da Vinci, Raphael and Titian, Hieronymus Bosch and Pieter Brueghel the Elder - were never just artists. They were philosophers, they were charged with the main and basic problems of the time. The Renaissance painters, returning to the ideals of Antiquity, created an integral concept of the world with inner unity, filled traditional religious subjects with earthly content.