Ксю (тверд. пер.)

Annotat͡sii͡a k knige "Ksi͡u: roman. Derevo, Avarii͡a: rasskazy" Slapovskiĭ A. I. :Novai͡a kniga prozaika i st͡senarista Aleksei͡a Slapovskogo sostoit iz romana i rasskazov i demonstriruet virtuoznoe umenie avtora rasskazyvatʹ istorii, iz kotorykh poluchaetsi͡a kino. "Teperʹ, kogda meni͡a ubili, i͡a mogu govoritʹ vse, chto khochu i kak khochu". Tak nachinaetsi͡a "potustoronni͡ai͡a istorii͡a" 18-letneĭ devushki, ott͡sa kotoroĭ, ochenʹ krupnogo chinovnika, poĭmali na vzi͡atke, sudili i posadili v ti͡urʹmu. Geroini͡a uznaet vse bolʹshe ob ott͡se, o materi, ob ikh druzʹi͡akh i znakomykh, a potom uezzhaet, pri͡amo po klassiku, "k tetke, v glushʹ, v Saratov", i tam novoe uznavanie - li͡udeĭ iz tekh sot͡sialʹnykh sloev, s kakimi ona ranʹshe ne peresekalasʹ. Na samom dele rechʹ idet o vgli͡adyvanii v sebi͡a i v mir - budto glaza otkrylisʹ, budto ona zanovo nachala zhitʹ, zamechai͡a to, chego ranʹshe ne videla. "Derevo" - tozhe istorii͡a ot pervogo lit͡sa. Shel vesʹma nemolodoĭ chelovek po ulit͡se mimo dereva, vspomnil, kak zalezal na nego v detstve. Vzi͡al da i opi͡atʹ zalez. I zhiznʹ ego posle ėtogo izmenilasʹ korennym obrazom. "Avarii͡a" - t͡sikl iz shesti rasskazov o li͡udi͡akh, kotorye kuda-to ekhali, speshili, stroili plany, i vot massovai͡a avtoavarii͡a, i vremi͡a slovno ostanovilosʹ - i chto teperʹ? Tak li vsegda plokho popastʹ v podobnui͡u situat͡sii͡u ili ona mozhet povernutʹ zhiznʹ v luchshui͡u storonu? Ili khoti͡a by v inui͡u? Takim obrazom avarii͡a - chto-to vrode metafory toĭ samoĭ pandemii, s kotoroĭ stolknulisʹ my vse.

Summary of the book "Ksyu: a novel. The Tree, the Accident: Stories" A. I. Slapovsky : A new book by novelist and screenwriter Alexei Slapovsky consists of a novel and short stories and demonstrates the author's virtuoso ability to tell stories that make a movie. "Now that I've been killed, I can say whatever I want and how I want." This is how the "otherworldly story" of an 18-year-old girl begins, whose father, a very senior official, was caught on a bribe, tried and imprisoned. The heroine learns more and more about her father, about her mother, about their friends and acquaintances, and then leaves, right according to the classics, "to her aunt, in the wilderness, in Saratov," and there is a new recognition of people from those social strata with whom she had not previously crossed paths. In fact, it's about looking into herself and the world—as if her eyes had opened, as if she had started living anew, noticing things she hadn't seen before. "The Tree" is also a first—person story. A very middle-aged man was walking along the street past a tree, and he remembered climbing it as a child. He just got in again. And his life changed radically after that. "Accident" is a cycle of six stories about people who were driving somewhere, in a hurry, making plans, and now there's a massive car accident, and time seems to have stopped — and now what? Is it always so bad to get into a similar situation, or can it turn life for the better? Or at least in a different way? Thus, the accident is something of a metaphor for the very pandemic that we all face.