Уходящий аромат культуры. Эстетика распада.

Kak pisal ispanskiĭ filosof, sot͡siolog i ėsseist Khose Ortega-i-Gasset, 'ot kulʹtury v sovremennom mire ostalsi͡a lishʹ legkiĭ aromat, - ukhodi͡ashchiĭ i uzhe trudnoulovimyĭ'. T͡Sivilizat͡sii͡a, osnovannai͡a na potreblenii i ėgoisticheskom gedonizme, porozhdaet degradat͡sii͡u obshchestvennykh i kulʹturnykh idealov, vyrozhdenie iskusstva. V to zhe vremi͡a Gasset pytaetsi͡a naĭti osobui͡u ėstetiku raspada, kotorui͡u on vidit v moderne. Ėtu temu prodolzhaet Moris Blansho, frant͡suzskiĭ pisatelʹ, myslitelʹ-ėsseist, pytai͡asʹ naĭti antitezu massovoĭ kulʹture.Proizvedenii͡a Gasseta i Blansho otlichai͡utsi͡a ne tolʹko filosofskoĭ glubinoĭ i soderzhatelʹnostʹi͡u, no i prekrasnym literaturnym stilem, chto vsegda privlekalo k nim chitatelʹskiĭ interes.

As the Spanish philosopher, sociologist and essayist Jose Ortega y Gasset wrote, 'from culture in the modern world there was only a light aroma - leaving and already elusive'. The civilization based on consumption and egoistic hedonism generates degradation of social and cultural ideals, degeneration of art. At the same time Gasset tries to find a special aesthetics of decay, which he sees in modernity. This theme continues Maurice Blanchot, French writer, thinker-essayist, trying to find the antithesis of popular culture.The works of Gasset and Blanchot differ not only in philosophical depth and richness, but also in an excellent literary style, which has always attracted readers ' interest.