100 русских народных песен : для голоса в сопровождении фортепиано : op. 24

Annotat͡sii͡a k knige "100 russkikh narodnykh pesen: dli͡a golosa v soprovozhdenii fortepiano. Or.24" Rimskiĭ-Korsakov N. A.: Sbornik "100 russkikh narodnykh pesen" - vazhnai͡a chastʹ tvorcheskogo nasledii͡a velikogo kompozitora, vydai͡ushchiĭsi͡a muzykalʹnyĭ pami͡atnik. Sostavlennyĭ N. A. Rimskim-Korsakovym v 1876 godu i vskore izdannyĭ V. Besselem (1877), on ne utratil svoeĭ istoricheskoĭ znachimosti i po seĭ denʹ ostaëtsi͡a khrestomatiĭnym materialom po narodnomu muzykalʹnomu tvorchestvu. Pogruzhenie v stikhii͡u folʹklora okazalo zametnoe vlii͡anie na dei͡atelʹnostʹ samogo avtora "100 russkikh pesen" - ot vybora tem i si͡uzhetov do vkli͡uchenii͡a melodiĭ v ri͡ad sobstvennykh sochineniĭ (Simfonietta na russkie temy, khor "Tatarskiĭ polon", opery "Sadko", "Snegurochka", "Skazanie o nevidimom grade Kitezhe" i dr. ). Krome togo, napevy iz sbor- nika Rimskogo-Korsakova ispolʹzovalisʹ ego sovremennikami i posledovateli͡ami (A. Arenskiĭ, M. Balakirev, M. Musorgskiĭ, S. Rakhmaninov, I. Stravinskiĭ i dr. ), obretai͡a novyĭ oblik i smysl. V osnovu nastoi͡ashchego izdanii͡a polozhena publikat͡sii͡a iz Polnogo sobranii͡a sochineniĭ N. Rimskogo-Korsakova (T. 47. M., 1952). Sbornik adresovan muzykantam samogo raznogo urovni͡a podgotovki i professionalʹnoĭ zrelosti, a takzhe li͡ubiteli͡am narodnogo tvorchestva.

Abstract to the book "100 Russian folk songs: for voice accompanied by piano. Op.24 Rimsky-Korsakov N. A.: The collection "100 Russian folk Songs" is an important part of the creative heritage of the great composer, an outstanding musical monument. Compiled by N. A. Rimsky-Korsakov in 1876 and soon published by V. Bessel (1877), it has not lost its historical significance and remains to this day a textbook on folk music. Russian Russian folklore immersion had a noticeable impact on the work of the author of "100 Russian Songs" himself — from the choice of themes and plots to the inclusion of melodies in a number of his own compositions (Sinfonietta on Russian themes, the Tatarsky Polon choir, the operas Sadko, The Snow Maiden, The Legend of the Invisible City of Kitezh, etc.). In addition, the melodies from Rimsky-Korsakov's collection were used by his contemporaries and followers (A. Arensky, M. Balakirev, M. Mussorgsky, S. Rachmaninov, I. Stravinsky, etc.), gaining a new look and meaning. This publication is based on the publication of the Complete Works of N. Rimsky-Korsakov (vol. 47. M., 1952). The collection is addressed to musicians of various levels of training and professional maturity, as well as fans of folk art.