Чаровница. Исповедь ведьмы

Nevedomyĭ ubiĭtsa pytaetsia poseiatʹ v gorode pandemiiu strakha. Vse popytki politseĭskikh poĭmatʹ ego obrecheny na proval. Kto on? Ne marionetka li nevedomykh zlobnykh sushchestv iz parallelʹnykh prostranstv? I ne tolknulo li ego na ėti strashnye zverstva neuemnoe zhelanie pripodniatʹ zavesu mezhdu nashimi mirami? Tak ne luchshe li cheloveku ostanovitʹsia pered stenoĭ, ograzhdaiushcheĭ ego ot strashnogo Poznaniia, bezhatʹ ot nego prochʹ i vernutʹsia k Evangelʹskim Zapovediam? Zakhvatyvaiushchiĭ siuzhet romana, ego mistichnostʹ i, odnovremenno realistichnostʹ, a takzhe glubokiĭ filosofskiĭ podtekst obrekaiut proizvedenie na to, chtoby statʹ bestsellerom. Ėto luchshee prodolzhenie traditsiĭ Gogolia i Bulgakova v sovremennoĭ literature.

An unknown killer is trying to sow a pandemic of fear in the city. All attempts by the police to catch him are doomed to failure. Who is he? Is it a puppet of unknown evil creatures from parallel spaces? And was he not driven to these terrible atrocities by an insatiable desire to lift the veil between our worlds? So is it not better for a person to stop before the wall that protects him from the terrible Knowledge, to run away from it and return to the Gospel Commandments? The fascinating plot of the novel, its mysticism and, at the same time, realism, as well as a deep philosophical subtext, doom the work to become a bestseller. This is the best continuation of the traditions of Gogol and Bulgakov in modern literature.