Бумажное солнце

Pisatelʹ vosprinimaet mir ne kak ostalʹnye li͡udi. Pisatelʹ prosypaetsi͡a i vidit vokrug pustotu, i ėtu pustotu nado zapolnitʹ - slovami. Pisatelʹ saditsi͡a i zapolni͡aet pustotu, sozdavai͡a v neĭ inoĭ mir. I zhivet v dvukh mirakh - realʹnoĭ zhizni i tekste.
No chasto ėti miry smykai͡utsi͡a, tekst pronikaet v zhiznʹ i vytesni͡aet ee, podmeni͡ai͡a soboĭ. Tak proizoshlo s geroineĭ romana "Bumazhnoe solnt͡se" Lizoĭ Nelidovoĭ: drugoĭ mir cherez napisannyĭ ei͡u tekst prosochilsi͡a v ee zhiznʹ, i teperʹ Liza ne znaet, chto realʹno, a chto plod ee fantazii. I estʹ li raznit͡sa mezhdu dvumi͡a mirami.

A writer does not perceive the world like other people. A writer wakes up and sees an emptiness around him, and this emptiness must be filled with words. The writer sits down and fills the void, creating another world in it. And he lives in two worlds – real life and text.
But often these worlds close together, the text penetrates into life and displaces it, replacing itself. This is what happened to Lisa Nelidova, the heroine of the novel "Paper Sun": another world has seeped into her life through the text she wrote, and now Lisa does not know what is real and what is the fruit of her imagination. And is there a difference between the two worlds.