Дочь олигарха

Chelovek ne mozhet kupitʹ sebi͡a… no mozhet obresti. Tonkiĭ psikhologicheskiĭ roman vzroslenii͡a, povestvui͡ushchiĭ o poiskakh svoego mesta v ėtom mire. Pyshnai͡a Reĭchel s bolʹshim rimskim nosom i tëmnymi usami, kotorye eĭ prikhoditsi͡a udali͡atʹ s pomoshchʹi͡u voska, utonchënnai͡a frant͡suzhenka Tiffani, odna iz tekh, za kotorui͡u v li͡uboĭ chasti sveta malʹchishki gotovy dratʹsi͡a na duėli͡akh, vechno losni͡ashchai͡asi͡a, slovno ona obmazana maslom, Lissa, roskoshnai͡a russkai͡a krasavit͡sa Natasha… Vse oni raznye, ochenʹ raznye, no estʹ tri veshchi, kotorye ikh obʺedini͡ai͡ut. Obʺedini͡ai͡ut, vozmozhno, dazhe krepche krovnykh uz. Im po pi͡atnadt͡satʹ, oni - deti bogatykh roditeleĭ, i seĭchas vse oni vynuzhdeny torchatʹ v chastnom angliĭskom pansionate so strogimi pravilami i bditelʹnymi vospitateli͡ami. Zdesʹ, sredi drevnikh predaniĭ i obi͡azatelʹnykh dli͡a starykh angliĭskikh osobni͡akov privedeniĭ, oni stolknutsi͡a s tem, chto prini͡ato nazyvatʹ "vzroslai͡a zhiznʹ". Termin tak sebe, no nikto poka ne pridumal nichego luchshe. Natasha - dochʹ russkogo oligarkha, no eë status ochenʹ skoro perestaët chto-libo dli͡a neë znachitʹ. Kak i dli͡a eë podrug. Im pi͡atnadt͡satʹ, i u nikh v zhizni estʹ dela povazhnee. Naprimer, pervai͡a sigareta, pervyĭ pot͡seluĭ, pesni Boba Dilana i popytki razobratʹsi͡a v tom, chto zhe takoe ėkzistent͡sializm. No "vzroslai͡a zhiznʹ", kakim by skvernym ni byl ėtot termin, skoro vorvëtsi͡a v ikh mir. I ot neë nelʹzi͡a budet otkupitʹsi͡a.

A man cannot buy himself... but he can gain. A subtle psychological novel of growing up, telling about the search for your place in this world. The voluptuous Rachel with the big Roman nose and dark mustache that she has to remove with wax, the sophisticated French Tiffany, one of those for whom boys in any part of the world are ready to fight duels, the ever-glossy, as if she were smeared with oil, Lissa, the luxurious Russian beauty Natasha… They are all different, very different, but there are three things that unite them. United, perhaps even stronger than blood ties. They are fifteen, the children of wealthy parents, and now they are all forced to stay in a private English boarding house with strict rules and vigilant Tutors. Here, among the ancient legends and mandatory for old English mansions of ghosts, they will encounter what is commonly called "adult life". The term is so-so, but no one has come up with anything better yet. Natasha is the daughter of a Russian oligarch, but her status soon ceases to mean anything to her. As well as for her friends. They are fifteen, and they have more important things to do in life. For example, the first cigarette, the first kiss, songs by Bob Dylan and attempts to understand what existentialism is. But "adult life," no matter how bad the term is, will soon break into their world. And you can't buy her off.