Марина Цветаева. Проза поэта

...Cvetaevskaia proza s pervieh slov, s pervieh strok ocharovievaet, zavorajivaet: pered chitatelem razvorachivaetsia muziekalno-poeticheskoe polotno vospominanii, kriticheskih zamechanii, dnevnikovieh zapisei. Eto ta Muzieka, kotoraia vielilas v Liriku, i ta Lirika, kotoraia porodila Prozu, prozu liricheskuu, kak opredelila ee sama Cvetaeva. Poetomu ispolzovanie stihotvornieh priemov, poeticheskih obrazov v etoi proze zakonomerno. To, chto ne vieplesnulos v stihi, vieskazalos v proze, a tak kak v osnove i togo i drugogo lejat biograficheskie faktie, mie stalkivaemsia s neobiechniem iavleniem: Marina Cvetaeva rasskazala o vremeni i o sebe iaziekom poezii i prozie, i eti dva janra organichno dopolniaut drug druga.

...Tsvetaeva's prose fascinates and fascinates from the first words, from the first lines: a musical and poetic canvas of memories, critical remarks, and diary entries unfolds before the reader. This is the Music that turned into Lyrics, and the Lyrics that gave rise to Prose, lyrical prose, as Tsvetaeva herself defined it. Therefore, the use of poetic techniques and poetic images in this prose is natural. What did not spill out into poetry was expressed in prose, and since both are based on biographical facts, we are faced with an unusual phenomenon: Marina Tsvetaeva spoke about time and herself in the language of poetry and prose, and these two genres organically complement each other.