Смерть Нерона: Пьеса

Dramaticheskiĭ shedevr Mikhaila Alekseevicha Kuzmina "Smertʹ Nerona" (1929) chitateli͡u edva li izvesten. V uzkikh krugakh li͡ubiteleĭ russkogo modernizma u nego slozhilasʹ reputat͡sii͡a zakhvatyvai͡ushchego, no zagadochnogo vyskazyvanii͡a, vedʹ izobrazhai͡a Nerona i ego "dvoĭnika", russkogo pisateli͡a Pavla Lukina, Kuzmin pribegaet k ėzopovu i͡azyku.Ėto izdanie presleduet neskolʹko t͡seleĭ, i prezhde vsego - poznakomitʹ chitateli͡a s zabytym shedevrom. Odna interpretat͡sii͡a "Smerti Nerona" predlozhena khudozhnikom Tatʹi͡anoĭ Svirinoĭ, drugai͡a, v vide akademicheskogo kommentarii͡a, - filologom Ladoĭ Panovoĭ.Kniga prednaznachena dli͡a vsekh, kto interesuetsi͡a tvorchestvom Kuzmina, russkim modernizmom, rannesovetskoĭ literaturoĭ, osnovatelʹno zabytoĭ, no po-prezhnemu aktualʹnoĭ dramaturgieĭ.

Mikhail Alekseevich Kuzmin's dramatic masterpiece "The Death of Nero" (1929) is hardly known to the reader. Russian Russian modernism lovers have developed a reputation for his fascinating but mysterious statements, because portraying Nero and his "doppelganger", the Russian writer Pavel Lukin, Kuzmin resorts to Aesopian language.This publication has several goals, and above all, to introduce the reader to a forgotten masterpiece. One interpretation of the "Death of Nero" was proposed by the artist Tatiana Svirina, the other, in the form of an academic commentary, by the philologist Lada Panova.The book is intended for anyone who is interested in Kuzmin's work, Russian modernism, early Soviet literature, and thoroughly forgotten but still relevant drama.