Мертвая Бутырка

Mozhet, dli͡a meni͡a ti͡urʹma - svoeobraznoe obrazovanie. Politicheskoe vysshee. Ne mogli zhe mne datʹ pi͡atʹ let za glaza? Dali vedʹ za akt͡sionizm. Mozhet, dazhe spet͡sialʹno, chtoby i͡a nauchilsi͡a risovatʹ. Do ti͡urʹmy i͡a i͡avno ne umel. Sravnite. Na svobode - skuchnyĭ akril i zvezdy, s ti͡urʹmoĭ - krovʹ i skeletiki v robakh. Podumatʹ tolʹko... Pishetsi͡a vedʹ trilogii͡a vochelovechivanii͡a po Bloku: ot momentov slishkom i͡arkogo sveta - i͡unostʹ, olimpiady, MGIMO, cherez neobkhodimoe boloto - armii͡u, k stanovlenii͡u cheloveka obshchestvennogo - aukt͡sionista. Chem ne biografii͡a? Oĭ, a pro ti͡urʹmu sovsem molchu, no i͡a i ne znai͡u, do chego meni͡a dovedet ėta tri͡asina, pustʹ ona i vypadaet iz blokovskoĭ kont͡sept͡sii.
Pavel Krisevich

Kulʹturu RF istinno predstavli͡ai͡ut segodni͡a khudozhniki, sidi͡ashchie ili sidevshie. Opi͡atʹ, kak v ėpokhu GULAGa, polstrany sidit, polstrany sterezhet. Pasha Krisevich - khudozhnik, bez znanii͡a rabot i sudʹby kotorogo kulʹturu RF dvukhtysi͡achnykh ne poni͡atʹ. I vot ėta kniga - istorii͡a Pashi ot pervogo lit͡sa.
Nadezhda Tolokonnikova

Maybe prison is a kind of education for me. Political higher education. They couldn't have given me five years for my eyes, could they? They gave it for actionism. Maybe even specifically so that I could learn how to draw. I obviously couldn't do it before prison. Compare it. At large — boring acrylic and stars, with a prison — blood and skeletons in robes. Just think about it... After all, the trilogy of becoming human is being written according to the Block: from moments of too bright light — youth, the Olympics, MGIMO, through the necessary swamp — the army, to becoming a public person — an auctioneer. What's not a biography? Oh, I'm not talking about prison at all, but I don't know what this quagmire will bring me to, even if it falls out of the Block concept.
Pavel Krisevich

The culture of the Russian Federation is truly represented today by artists, sitting or sitting. Again, as in the era of the Gulag, half the country is sitting, half the country is guarding. Pasha Krisevich is an artist, without knowing the works and fate of which the culture of the Russian Federation of the two thousandth cannot be understood. And this book is the story of Pasha in the first person.
Nadezhda Tolokonnikova