По ту сторону отражения. Музыкальный приворот

Li͡ubovnye privoroty srodni li͡ubovnomu surrogatu i vri͡ad li smogut zamenitʹ nastoi͡ashchie chuvstva. Tak schitala ranʹshe glavnai͡a geroini͡a. Privoroty, s pomoshchʹi͡u kotorykh zhelaeshʹ vli͡ubitʹ v sebi͡a ne kogo‑nibudʹ, a izvestnogo rok‑muzykanta, privodi͡at k odnim lishʹ gluposti͡am, strannym situat͡sii͡am i dazhe k slezam. Tak Katrina stala schitatʹ posle ėksperimenta svoeĭ luchsheĭ podrugi. A teperʹ ona voobshche ne dumaet o privorotakh - seĭchas Katrine ochenʹ khotelosʹ by razobratʹsi͡a v sebe i poni͡atʹ, kogo ona li͡ubit: nezhnogo i strannogo ili skvernogo i znamenitogo? A mozhet bytʹ, ona li͡ubit ikh oboikh ili... odnogo i togo zhe cheloveka? I chto emu (ili vse zhe im?) nuzhno ot nee?

Love spells are akin to a love substitute and are unlikely to be able to replace real feelings. That's what the main character used to think. Love spells, with the help of which you want to fall in love with not just anyone, but a famous rock musician, lead to nothing but nonsense, strange situations and even tears. That's how Katrina began to think after her best friend's experiment. And now she doesn't think about love spells at all — now Katrina would really like to sort herself out and understand who she loves: gentle and strange or nasty and famous? Or maybe she loves them both or... the same person? And what about him (or them?) Need it from her?