Моя жизнь в искусстве. В спорах о Станиславском

V istorii russkoĭ kulʹtury estʹ nemalo imen velikikh dei͡ateleĭ iskusstva, kotorye sostavli͡ai͡ut slavu i gordostʹ nat͡sii. Sredi nikh odno iz samykh pochetnykh mest po pravu prinadlezhit velikomu rezhisseru, prepodavateli͡u neskolʹkikh artisticheskikh pokoleniĭ, akteru, velikomu reformatoru teatralʹnogo iskusstva K. S. Stanislavskomu. Ėtot vydai͡ushchiĭsi͡a teoretik teatra ne tolʹko vdokhnovenno tvoril, sozdaval zamechatelʹnye obrazt͡sy teatralʹnogo iskusstva, no i gluboko osmyslival prot͡sess st͡senicheskogo tvorchestva. Ego ėsteticheskie vzgli͡ady, rezhisserskoe novatorstvo, razrabotannai͡a im sistema realisticheskogo akterskogo tvorchestva okazali ogromnoe vlii͡anie na razvitie mirovoĭ teatralʹnoĭ kulʹtury. Klassicheskoe proizvedenie Stanislavskogo 'Moi͡a zhiznʹ v iskusstve', izdannoe na mnogikh i͡azykakh mira, stalo nastolʹnoĭ knigoĭ dli͡a kazhdogo rabotnika i li͡ubiteli͡a teatra. V neĭ obobshchen opyt neskolʹkikh artisticheskikh pokoleniĭ i sformulirovany vazhneĭshie polozhenii͡a sovremennoĭ teatralʹnoĭ ėstetiki.Vladimir Nikolaevich Prokofʹev - odin iz vidneĭshikh issledovateleĭ i propagandistov nasledii͡a K.S. Stanislavskogo, izvestnyĭ russkiĭ i sovetskiĭ teatroved, istorik iskusstva. S 1950 goda on rukovodil nauchno-issledovatelʹskoĭ komissieĭ po izuchenii͡u i izdanii͡u nasledii͡a K.S. Stanislavskogo i V.I. Nemirovicha-Danchenko. V.N. Prokofʹev i͡avli͡aetsi͡a redaktorom, sostavitelem i kommentatorom trudov K.S. Stanislavskogo, a takzhe avtorom ri͡ada stateĭ i knig, posvi͡ashchennykh ėtomu velikomu reformatoru teatra.Kniga 'V sporakh o Stanislavskom' rodilasʹ v atmosfere ostrykh teatralʹnykh diskussiĭ o nasledii Stanislavskogo, prokhodivshikh v 1950-1960-kh godakh. V neĭ idet spor o puti͡akh razvitii͡a teatra, raskryvaetsi͡a borʹba raznykh vzgli͡adov i napravleniĭ v st͡senicheskom iskusstve. Avtor rassmatrivaet sootnoshenie shkoly Stanislavskogo s kont͡sept͡sieĭ uslovnogo teatra Meĭerkholʹda, teatralʹnostʹi͡u Vakhtangova, teorieĭ ėpicheskogo teatra Brekhta. Vystupai͡a protiv vulʹgarizat͡sii ideĭ Stanislavskogo, V.N. Prokofʹev raskryvaet progressivnyĭ smysl ego uchenii͡a.

In the history of Russian culture, there are many names of great artists who make up the glory and pride of the nation. Among them, one of the most honorable places rightfully belongs to the great director, teacher of several artistic generations, actor, great reformer of theatrical art K. S. Stanislavsky. This outstanding theater theorist not only created with inspiration, created wonderful examples of theatrical art, but also deeply comprehended the process of stage creativity. His aesthetic views, directorial innovation, and the system of realistic acting developed by him had a huge impact on the development of world theater culture. Stanislavsky's classic work "My Life in Art", published in many languages of the world, has become a reference book for every worker and amateur of the theater. It summarizes the experience of several artistic generations and formulates the most important provisions of modern theatrical aesthetics.Vladimir Nikolaevich Prokofiev is one of the most prominent researchers and propagandists of the heritage of K. S. Stanislavsky, a well-known Russian and Soviet theater critic, art historian. Since 1950, he led the research commission for the study and publication of the heritage of K. S. Stanislavsky and V. I. Nemirovich-Danchenko. V. N. Prokofiev is the editor, compiler and commentator of the works of K. S. Stanislavsky, as well as the author of a number of articles and books dedicated to this great reformer of the theater. The book "In disputes about Stanislavsky" was born in the atmosphere of acute theatrical discussions about the legacy of Stanislavsky, which took place in the 1950s and 1960s. In it there is a dispute about the ways of development of the theater, the struggle of different views and trends in the stage art is revealed. The author considers the correlation of Stanislavsky's school with Meyerhold's concept of conditional theater, Vakhtangov's theatricality, and Brecht's theory of epic theater. Speaking against the vulgarization of Stanislavsky's ideas, V. N. Prokofiev reveals the progressive meaning of his teaching.