Актёрские тетради Иннокентия Смоктуновского

"Aktërskie tetradi Innokentii͡a Smoktunovskogo"Ob avtore: Egoshina Olʹga Vladimirovna, doktor iskusstvovedenii͡a, professor Shkoly-studii MKhAT, art-direktor festivali͡a "Uroki rezhissury", teatralʹnyĭ kritik.O knigeInnokentiĭ Smoktunovskiĭ ne ostavil osnovatelʹnykh teoreticheskikh rabot, osmysli͡ai͡ushchikh sobstvennyĭ akterskiĭ opyt i issledui͡ushchikh sobstvennui͡u tekhniku. No ispisannye na poli͡akh rabochimi pometkami Innokentii͡a Smoktunovskogo tetradki artista dai͡ut unikalʹnyĭ shans zagli͡anutʹ v tvorcheskoe "nutro". Zapisi Smoktunovskogo stali svoego roda "chernym i͡ashchikom", sokhranivshim dannye o prot͡sesse sozdanii͡a roleĭ. Proshli repetit͡sii, uzhe sni͡aty s repertuara spektakli, a papki s tetradkami khrani͡atdukh i khod raboty nad rolʹi͡u, khrani͡at sloistui͡u strukturu roli, v zhivom ispolnenii predstai͡ushcheĭ t͡selʹnoĭ i monolitnoĭ. Uvidetʹ nikomu ne pokazyvaemui͡u rabotu "razminki" avtorskogo teksta, poni͡atʹ krug assot͡siat͡siĭ, vnutrennie khody, zadachi i t͡seli v toĭ ili inoĭ st͡sene, otbor i otsev prisposobleniĭ, posmotretʹ, kak rozhdai͡utsi͡a avtorskie nakhodki. Issledovatʹ vzaimodeĭstvie "i͡a" aktera s obrazom, poni͡atʹ zakony i mekhanizmy ėtogo vzaimodeĭstvii͡a; vyi͡avitʹ metody i sposoby raboty aktera, "prisvaivai͡ushchego" sebe "chuzhoĭ vostorg, chuzhui͡u grustʹ"; posmotretʹ, kak iz "sora" dogadok, assot͡siat͡siĭ, podskazok, vospominaniĭ vyrastaet obraz. Nakonet͡s, sopostavitʹ poluchivshiĭsi͡a gotovyĭ st͡senicheskiĭ obraz s obrazom, kotoryĭ vymechtal dli͡a sebi͡a artist. Blagodari͡a Olʹge Egoshinoĭ i eë rabote po sboru i analizu aktërskikh tetradeĭ Smoktunovskogo ėto stalo vozmozhnym. S pomoshchʹi͡u ėtoĭ knigi my mozhem prikosnutʹsi͡a k teatralʹnoĭ "kukhne" cherez vospominanii͡a i opyt blesti͡ashchego artista Innokentii͡a Smoktunovskogo, uznatʹ, kak imenno sozdavalisʹ im obrazy kni͡azi͡a Myshkina, t͡sari͡a Fëdora, Golovlëva, Gamleta.Ostaviv za skobkami ėtogo issledovanii͡a sobstvenno khudozhestvennye rezulʹtaty truda aktera, mnogokratno opisannye v statʹi͡akh i monografii͡akh teatrovedov, zanimai͡ushchikhsi͡a Innokentiem Smoktunovskim, v ėtoĭ knige avtoru khotelosʹ by sosredotochitʹsi͡a na razbore tekhniki aktera, rekonstruirovatʹ ego metody raboty.Kniga adresovana kak spet͡sialistam, tak i vsem interesui͡ushchimsi͡a problemami tvorchestva i naslediem velikogo aktera.

"Innokenty Smoktunovsky's Acting Notebooks"About the author: Olga Vladimirovna Egoshina, Doctor of Art History, Professor at the Moscow Art Theater School, art director of the Directing Lessons Festival, theater critic.About the book Innokenty Smoktunovsky did not leave any solid theoretical works reflecting on his own acting experience and exploring his own technique. But the artist's notebooks, written in the margins with Innokenty Smoktunovsky's work notes, give a unique chance to look into the creative "interior". Smoktunovsky's recordings have become a kind of "black box" that preserves data on the role creation process. Rehearsals have taken place, performances have already been removed from the repertoire, and folders with notebooks keep the spirit and progress of work on the role, store the layered structure of the role, which appears solid and monolithic in live performance. To see the unreleased work of "warming up" the author's text, to understand the range of associations, internal movements, tasks and goals in a particular scene, the selection and screening of devices, to see how the author's findings are born. To explore the interaction of the actor's "I" with the image, to understand the laws and mechanisms of this interaction; to identify the methods and ways of working of an actor who "appropriates" to himself "someone else's delight, someone else's sadness"; to see how an image grows out of a "litter" of guesses, associations, hints, memories. Finally, compare the resulting finished stage image with the image that the artist dreamed up for himself. Thanks to Olga Yegoshina and her work on collecting and analyzing Smoktunovsky's acting notebooks, this became possible. With the help of this book, we can touch the theatrical "kitchen" through the memories and experience of the brilliant artist Innokenty Smoktunovsky, find out exactly how he created the images of Prince Myshkin, Tsar Fyodor, Golovlev, Hamlet.Leaving aside the actual artistic results of the actor's work, which are repeatedly described in articles and monographs by theater critics dealing with Innokenty Smoktunovsky, in this book the author would like to focus on analyzing the actor's technique and reconstruct his working methods.The book is addressed to both specialists and anyone interested in the problems of creativity and the legacy of the great actor.