Песчаная роза

Serebri͡anoe kolʹe s peschanoĭ rozoĭ dostaetsi͡a Sone Artynovoĭ v nasledstvo. I ochenʹ eĭ podkhodit: t͡svet peska imei͡ut ee volosy i glaza. Ona schitaet ikh nevyrazitelʹnymi, kak, vprochem, i sebi͡a samu, lishennui͡u i͡arkikh ėmot͡siĭ i silʹnykh chuvstv. Soni͡a zhivet slovno v anabioze - ozhog, poluchennyĭ ot pervoĭ li͡ubvi, okazyvaetsi͡a stolʹ boleznennym, chto nikogo i nichego ne khochetsi͡a eĭ vpuskatʹ bolʹshe v svoi͡u zhiznʹ. I kazhetsi͡a, chto vse meni͡aet sluchaĭ… No Soni͡a ne znaet, chto rezkie povoroty v sudʹbe - cherta nasledstvennai͡a. Ee prababushke dovelosʹ smenitʹ Germanii͡u na Rossii͡u, Krym na Bizertu, arkheologicheskui͡u ėkspedit͡sii͡u na plen u tuaregov, Alzhir na Parizh… I delo ne v okhote k peremene mest. A v reakt͡sii na zlo i v stremlenii zashchititʹ ot nego glavnye zhiznennye t͡sennosti.Roman "Peschanai͡a roza" velikolepnogo sovremennogo prozaika Anny Bersenevoĭ - golovokruzhitelʹnyĭ miks avanti͡urno-prikli͡uchencheskogo, psikhologicheskogo, sot͡sialʹnogo, semeĭnogo romanov. Vmeste s geroi͡ami vy pobyvaete v plenu u zagadochnykh tuaregov, na dukhmi͡anykh alzhirskikh bazarakh, izyskannykh parizhskikh bulʹvarakh, v Minske stoletneĭ davnosti, na istoricheskikh moskovskikh ulochkakh. Iz 20-kh godov KhKh veka perenesetesʹ s 20-e gody veka KhKhI. Ėto tolʹko na pervyĭ vzgli͡ad mezhdu nimi net nichego obshchego. Na samom dele, i togda, i seĭchas cheloveku prikhoditsi͡a protivostoi͡atʹ sudʹbe, chtoby ne tolʹko spasti sebi͡a i svoikh blizkikh, no i ne poteri͡atʹ k samomu sebe uvazhenii͡a.Kak vsegda u Anny Bersenevoĭ, estʹ 2 si͡uzhetnye linii. Pervai͡a - svi͡azana s Ksenieĭ Artynovoĭ. Vtorai͡a - s ee pravnuchkoĭ Soneĭ. Dvukh zhenshchin odnoĭ semʹi obʺedini͡aet ne tolʹko tuaregskoe serebro i peschanai͡a roza. Prezhde vsego - reakt͡sii͡a na zlo i sposobnostʹ zashchishchatʹ ot nego glavnye zhiznennye t͡sennosti: li͡ubovʹ, blizkikh, chestʹ, sovestʹ.Anna Berseneva sozdaet i͡arkiĭ obraz bolʹshoĭ, silʹnoĭ li͡ubvi, kotorai͡a "dolgoterpit, miloserdstvuet, …ne zaviduet, ne prevoznositsi͡a, ne gorditsi͡a, ne beschinstvuet, ne ishchet svoego, ne razdrazhaetsi͡a, ne myslit zla, ne raduetsi͡a nepravde, a soraduetsi͡a istine…"

The silver necklace with a sand rose goes to Sonya Artynova as an inheritance. And it suits her very well: her hair and eyes have the color of sand. She considers them expressionless, as well as herself, devoid of bright emotions and strong feelings. Sonya lives as if in suspended animation - the burn received from her first love turns out to be so painful that she does not want to let anyone or anything into her life anymore. And it seems that chance changes everything ... but Sonya does not know that sharp turns in fate are a hereditary trait. Her great-grandmother had to change Germany to Russia, Crimea Bizerte archaeological expedition captured the Tuareg, Algeria to Paris… And it's not a matter of hunting for a change of places. And in reaction to evil and in an effort to protect the main values of life from it.The novel "Sand Rose" by the magnificent modern novelist Anna Berseneva is a dizzying mix of adventurous, psychological, social, and family novels. Together with the heroes, you will visit the captivity of the mysterious Tuaregs, in the fragrant Algerian bazaars, exquisite Parisian boulevards, in Minsk a century ago, on the historic streets of Moscow. From the 20s of the twentieth century, you will be transported from the 20s of the XXI century. It is only at first glance that there is nothing in common between them. In fact, both then and now a person has to resist fate in order not only to save himself and his loved ones, but also not to lose respect for himself.As always, Anna Berseneva has 2 storylines. The first one is connected with Ksenia Artynova. The second is with her great–granddaughter Sonya. Two women of the same family are united not only by Tuareg silver and sand rose. First of all, it is a reaction to evil and the ability to protect from it the main values of life: love, loved ones, honor, conscience.Anna Berseneva creates a vivid image of a big, strong love that "is patient, merciful, ... does not envy, does not exalt, is not proud, does not commit outrages, does not seek her own, does not get annoyed, does not think evil, does not rejoice in untruth, but rejoices in the truth ..."