Бой тигров в долине

Upav s balkona odnogo iz moskovskikh domov, nasmertʹ razbilasʹ molodai͡a devushka Ekaterina Averkina. Mnogie sosedi, guli͡avshie v ėtot moment vo dvore, videli, kak Kati͡u stolknula vniz ee starshai͡a sestra Natasha. Ee srazu arestovyvai͡ut. Devushka v shoke - vo vremi͡a tragedii ona… guli͡ala po Moskve so svoim molodym chelovekom Lenarom! No dokazatʹ ėto nevozmozhno - svidetelʹskie pokazanii͡a perecherkivai͡ut vse dovody Natashi, i, kazhetsi͡a, nichto ne v silakh eĭ pomochʹ. Odnako delom Averkinoĭ-starsheĭ zainteresovalisʹ advokat Vitaliĭ Kirgan i operupolnomochennyĭ Anton Stashis. V khode rassledovanii͡a oni obnaruzhivai͡ut neozhidannye fakty, kotorye v kont͡se kont͡sov privedut ikh k oshelomli͡ai͡ushcheĭ razgadke…Otzyvy:"Marinina ne tolʹko pishet detektivnye romany, no i otvechaet na vechnye voprosy. Avtor otnositsi͡a k svoim chitateli͡am kak dobryĭ i opytnyĭ uchitelʹ k uchenikam, kotorye nuzhdai͡utsi͡a v podderzhke, podskazke i napravlenii na vernyĭ putʹ. Optimistichnai͡a i praktichnai͡a v svoeĭ didaktike, Marinina stavit pered soboĭ vopros "kak zhitʹ" i staraetsi͡a pomochʹ chitateli͡u naĭti svoĭ putʹ k luchsheĭ zhizni v segodni͡ashnem mire. Svoimi detektivami Marinina pishet sovremennyĭ roman "vospitanii͡a chuvstv": osnovnai͡a t͡selʹ avtora - vospitanie posredstvom razvlechenii͡a". - Anatoliĭ Vishevskiĭ, Grinellʹskiĭ kolledzh, SShA"Mnogie romany Aleksandry Marininoĭ v Rossii ėkranizirovany, a v Germanii pererabotany v radiopʹesy. Iskhodi͡a iz togo, chto t͡selʹ ėtikh obrabotok - zakhvatyvatʹ zriteleĭ i slushateleĭ takim zhe obrazom, kak zakhvacheny chitateli, to filʹm i radiopʹesa i͡avli͡ai͡utsi͡a ne tolʹko dopolnitelʹnymi khudozhestvennymi proizvedenii͡ami, no i interesnymi interpretat͡sii͡ami, kotorye pronikli v taĭnu uspekha Aleksandry Marininoĭ". - Sara Khėgi, Kelʹnskiĭ universitet, Germanii͡a"V dialogakh khudozhestvennoĭ i trivialʹnoĭ literatury mozhno obnaruzhitʹ raznye sposoby stilizat͡sii "ustnosti", chtoby dostichʹ vpechatlenii͡a spontannogo razgovora. Obikhodnai͡a rechʹ v romanakh A. Marininoĭ otlichaetsi͡a neobyknovenno vysokoĭ stepenʹi͡u ozhivlennosti, chto vyrazhaetsi͡a, mezhdu prochim, v raznykh formakh obrashchenii͡a sobesednikov, v razlichnykh ottenkakh vezhlivosti i v ėmot͡sionalʹnosti ispolʹzuemoĭ leksiki". - Volʹfgang Shtadler, Universitet imeni Leopolʹda Frant͡sena, Insbruk, Avstrii͡a.

Ekaterina Averkina, a young girl, fell to her death from the balcony of a Moscow house. Many neighbors who were walking in the courtyard at that moment saw Katya pushed down by her older sister Natasha. She is immediately arrested. The girl is in shock — during the tragedy she was... walking around Moscow with her boyfriend Lenar! But it is impossible to prove this — the witness testimony negates all Natasha's arguments, and nothing seems to be able to help her. However, lawyer Vitaly Kirgan and operative Anton Stashis became interested in Averkina Sr.'s case. During the investigation, they discover unexpected facts that will eventually lead them to a stunning solution.…Reviews:"Marinina not only writes detective novels, but also answers eternal questions. The author treats his readers like a kind and experienced teacher to students who need support, guidance and guidance on the right path. Optimistic and practical in her didactics, Marinina poses the question “how to live" and tries to help the reader find his way to a better life in today's world. Marinina writes a modern novel "education of feelings" with her detective stories: the author's main goal is education through entertainment." — Anatoly Vishevsky, Grenell College, USA"Many of Alexandra Marinina's novels have been adapted into films in Russia and reworked into radio plays in Germany. Based on the fact that the purpose of these treatments is to capture viewers and listeners in the same way that readers are captured, the film and the radio play are not only additional works of fiction, but also interesting interpretations that have penetrated into the secret of Alexandra Marinina's success." — Sarah Hagi, University of Cologne, Germany"In the dialogues of fiction and trivial literature, one can find different ways of stylizing "verbality" in order to achieve the impression of spontaneous conversation. Everyday speech in A. Marinina's novels is characterized by an unusually high degree of animation, which is expressed, among other things, in the different forms of address of the interlocutors, in various shades of politeness and in the emotionality of the vocabulary used." — Wolfgang Stadler, Leopold Franzen University, Innsbruck, Austria.