Беатриче в аду: Роман

Poėticheskoe nasledie N. A. Ot͡supa (1894-1958), mladshego soratnika N. S. Gumileva i propagandista ego tvorchestva, i͡arkogo predstaviteli͡a pervoĭ volny russkoĭ ėmigrat͡sii (po mnenii͡u mnogikh, imenno statʹi͡a Ot͡supa 'Serebri͡anyĭ vek russkoĭ poėzii' v izdavavshemsi͡a im zhurnale 'Chisla' vvela v obikhod ėto poni͡atie), zatmilo ego prozaicheskiĭ opyt- roman 'Beatriche v adu' (1939), kotoryĭ pokazalsi͡a sovremennikam nedostatochno sovershennym nesmotri͡a na to, chto v nem Ot͡sup dal panoramu predvoennoĭ zhizni bogemnykh krugov Parizha. Tragicheskai͡a istorii͡a vzaimootnosheniĭ khudozhnika Valentina Rtishcheva i prekrasnoĭ, russkoĭ po proiskhozhdenii͡u, zhenshchiny, aktrisy Dzhenni Lesli, raskryvaetsi͡a na fone sporov li͡udeĭ razlichnykh nat͡sionalʹnosteĭ, poteri͡avshikh zhiznennye orientiry. Ikh popytki naĭti chto-to nezyblemoe v iskusstve, religii, istorii oborachivai͡utsi͡a krakhom. Roman - svoego roda letopisʹ, v kotoroĭ zapechatlen byt i nastroenii͡a tvorcheskoĭ intelligent͡sii, zhivushcheĭ v izgnanii. V Rossii publikuetsi͡a vpervye.

Russian Russian poet N. A. Otsup (1894-1958), a junior associate of N. S. Gumilev and a propagandist of his work, a bright representative of the first wave of Russian emigration (according to many, it was the article by Otsup "The Silver Age of Russian Poetry" in the magazine "Numbers" published by him that introduced this concept), overshadowed his prose experience- the novel "Beatrice in Hell" (1939), which seemed to contemporaries insufficiently perfect despite the fact that in it the Ocup gave a panorama of the pre-war life of the bohemian circles of Paris. The tragic story of the relationship between the artist Valentin Rtischev and the beautiful, Russian-born woman, actress Jenny Leslie, is revealed against the background of disputes between people of various nationalities who have lost their life guidelines. Their attempts to find something unshakable in art, religion, history turn into a collapse. The novel is a kind of chronicle, which captures the life and moods of the creative intelligentsia living in exile. It is published in Russia for the first time.