Незапертая дверь

Vo vremi͡a sʺemok teleseriala v parke "Sokolʹniki" ubit voditelʹ sʺemochnoĭ gruppy i bessledno ischezla zhena st͡senarista. Na pervyĭ vzgli͡ad vse ukazyvaet na ocherednui͡u razborku mezhdu kriminalʹnymi gruppirovkami, vedʹ ubityĭ voditelʹ svi͡azan i s azartnymi igrami, i s narkotikami. Odnako vskore poi͡avli͡aetsi͡a versii͡a o tom, chto ubiĭstvo na sʺemochnoĭ ploshchadke napravleno na sryv raboty po sozdanii͡u seriala, a ėto, v svoi͡u ocheredʹ, vyvodit na pervyĭ plan novykh podozrevaemykh. V ėtot raz sotrudniku ugolovnogo rozyska Naste Kamenskoĭ rabotatʹ kuda trudnee, chem ranʹshe: polkovnik Gordeev ushel na pensii͡u, a s novym nachalʹnikom otnoshenii͡a u nee nikak ne skladyvai͡utsi͡a. Kamenskoĭ prikhoditsi͡a vserʹez zadumatʹsi͡a nad tem, ostavatʹsi͡a li sluzhitʹ na Petrovke ili vse-taki ukhoditʹ. . . "Marinina ne tolʹko pishet detektivnye romany, no i otvechaet na vechnye voprosy. Avtor otnositsi͡a k svoim chitateli͡am kak dobryĭ i opytnyĭ uchitelʹ k uchenikam, kotorye nuzhdai͡utsi͡a v podderzhke, podskazke i napravlenii na vernyĭ putʹ. Optimistichnai͡a i praktichnai͡a v svoeĭ didaktike, Marinina stavit pered soboĭ vopros "kak zhitʹ" i staraetsi͡a pomochʹ chitateli͡u naĭti svoĭ putʹ k luchsheĭ zhizni v segodni͡ashnem mire. Svoimi detektivami Marinina pishet sovremennyĭ roman "vospitanii͡a chuvstv": osnovnai͡a t͡selʹ avtora - vospitanie posredstvom razvlechenii͡a". - Anatoliĭ Vishevskiĭ, Grinellʹskiĭ kolledzh, SShA"Mnogie romany Aleksandry Marininoĭ v Rossii ėkranizirovany, a v Germanii pererabotany v radiopʹesy. Iskhodi͡a iz togo, chto t͡selʹ ėtikh obrabotok - zakhvatyvatʹ zriteleĭ i slushateleĭ takim zhe obrazom, kak zakhvacheny chitateli, to filʹm i radiopʹesa i͡avli͡ai͡utsi͡a ne tolʹko dopolnitelʹnymi khudozhestvennymi proizvedenii͡ami, no i interesnymi interpretat͡sii͡ami, kotorye pronikli v taĭnu uspekha Aleksandry Marininoĭ". - Sara Khėgi, Kelʹnskiĭ universitet, Germanii͡a"V dialogakh khudozhestvennoĭ i trivialʹnoĭ literatury mozhno obnaruzhitʹ raznye sposoby stilizat͡sii "ustnosti", chtoby dostichʹ vpechatlenii͡a spontannogo razgovora. Obikhodnai͡a rechʹ v romanakh A. Marininoĭ otlichaetsi͡a neobyknovenno vysokoĭ stepenʹi͡u ozhivlennosti, chto vyrazhaetsi͡a, mezhdu prochim, v raznykh formakh obrashchenii͡a sobesednikov, v razlichnykh ottenkakh vezhlivosti i v ėmot͡sionalʹnosti ispolʹzuemoĭ leksiki". - Volʹfgang Shtadler, Universitet imeni Leopolʹda Frant͡sena, Insbruk, Avstrii͡a.

During the filming of the TV series in Sokolniki Park, the driver of the film crew was killed and the scriptwriter's wife disappeared without a trace. At first glance, everything points to another showdown between criminal gangs, because the murdered driver is associated with gambling and drugs. However, soon a version appears that the murder on the set is aimed at disrupting the work on the creation of the series, and this, in turn, brings new suspects to the fore. This time, it is much more difficult for the criminal investigation officer Nastya Kamenskaya to work than before: Colonel Gordeev has retired, and her relationship with the new boss does not work out. Kamenskaya has to seriously consider whether to remain serving on Petrovka or still leave. Marinina not only writes detective novels, but also answers eternal questions. The author treats his readers like a kind and experienced teacher to students who need support, guidance and guidance on the right path. Optimistic and practical in her didactics, Marinina poses the question “how to live" and tries to help the reader find his way to a better life in today's world. Marinina writes a modern novel "education of feelings" with her detective stories: the author's main goal is education through entertainment." — Anatoly Vishevsky, Grenell College, USA"Many of Alexandra Marinina's novels have been adapted into films in Russia and reworked into radio plays in Germany. Based on the fact that the purpose of these treatments is to capture viewers and listeners in the same way that readers are captured, the film and the radio play are not only additional works of fiction, but also interesting interpretations that have penetrated into the secret of Alexandra Marinina's success." — Sarah Hagi, University of Cologne, Germany"In the dialogues of fiction and trivial literature, one can find different ways of stylizing "verbality" in order to achieve the impression of spontaneous conversation. Everyday speech in A. Marinina's novels is characterized by an unusually high degree of animation, which is expressed, among other things, in the different forms of address of the interlocutors, in various shades of politeness and in the emotionality of the vocabulary used." — Wolfgang Stadler, Leopold Franzen University, Innsbruck, Austria.