Фантом памяти

Pochti dva napri͡azhennykh i plodotvornykh goda zhizni vypali iz pami͡ati preuspevai͡ushchego pisateli͡a Andrei͡a Korina. Schitaetsi͡a, chto ėto posledstvii͡a avtokatastrofy. No chem ėnergichnee pytaetsi͡a Andreĭ vosstanovitʹ utrachennoe vremi͡a, tem ochevidnee - prichina gorazdo glubzhe. Slovno v zerkalo, vgli͡adyvaetsi͡a on v okruzhai͡ushchikh, po krokham sobirai͡a svoe proshloe. I vse chashche vzgli͡ad ego obrashchaetsi͡a na samogo sebi͡a, ibo imenno v nem taitsi͡a prichina ėtoĭ strannoĭ amnezii. Kakoĭ postupok v proshlom zastavil soznanie Andrei͡a vytesnitʹ iz pami͡ati kusok zhizni? Kto vokrug - druzʹi͡a ili vragi? Otkuda iskhodit opasnostʹ - vedʹ na nego dvazhdy pokushalisʹ? I chto otkroetsi͡a vzoru, kogda ego pami͡atʹ vnezapno prozreet?. . "Marinina ne tolʹko pishet detektivnye romany, no i otvechaet na vechnye voprosy. Avtor otnositsi͡a k svoim chitateli͡am kak dobryĭ i opytnyĭ uchitelʹ k uchenikam, kotorye nuzhdai͡utsi͡a v podderzhke, podskazke i napravlenii na vernyĭ putʹ. Optimistichnai͡a i praktichnai͡a v svoeĭ didaktike, Marinina stavit pered soboĭ vopros "kak zhitʹ" i staraetsi͡a pomochʹ chitateli͡u naĭti svoĭ putʹ k luchsheĭ zhizni v segodni͡ashnem mire. Svoimi detektivami Marinina pishet sovremennyĭ roman "vospitanii͡a chuvstv": osnovnai͡a t͡selʹ avtora - vospitanie posredstvom razvlechenii͡a". - Anatoliĭ Vishevskiĭ, Grinellʹskiĭ kolledzh, SShA"Mnogie romany Aleksandry Marininoĭ v Rossii ėkranizirovany, a v Germanii pererabotany v radiopʹesy. Iskhodi͡a iz togo, chto t͡selʹ ėtikh obrabotok - zakhvatyvatʹ zriteleĭ i slushateleĭ takim zhe obrazom, kak zakhvacheny chitateli, to filʹm i radiopʹesa i͡avli͡ai͡utsi͡a ne tolʹko dopolnitelʹnymi khudozhestvennymi proizvedenii͡ami, no i interesnymi interpretat͡sii͡ami, kotorye pronikli v taĭnu uspekha Aleksandry Marininoĭ". - Sara Khėgi, Kelʹnskiĭ universitet, Germanii͡a"V dialogakh khudozhestvennoĭ i trivialʹnoĭ literatury mozhno obnaruzhitʹ raznye sposoby stilizat͡sii "ustnosti", chtoby dostichʹ vpechatlenii͡a spontannogo razgovora. Obikhodnai͡a rechʹ v romanakh A. Marininoĭ otlichaetsi͡a neobyknovenno vysokoĭ stepenʹi͡u ozhivlennosti, chto vyrazhaetsi͡a, mezhdu prochim, v raznykh formakh obrashchenii͡a sobesednikov, v razlichnykh ottenkakh vezhlivosti i v ėmot͡sionalʹnosti ispolʹzuemoĭ leksiki". - Volʹfgang Shtadler, Universitet imeni Leopolʹda Frant͡sena, Insbruk, Avstrii͡a.

Almost two intense and fruitful years of his life have fallen out of the memory of the successful writer Andrei Korin. It is believed that these are the consequences of a car accident. But the more vigorously Andrey tries to restore the lost time, the more obvious the reason is much deeper. As if in a mirror, he looks at others, piecing together his past. And more and more often his gaze turns to himself, because it is in him that the reason for this strange amnesia lies. What act in the past caused Andrey's consciousness to displace a piece of his life from his memory? Who is around — friends or enemies? Where is the danger coming from, after all, he has been attacked twice? And what will be revealed to his eyes when his memory suddenly dawns?. . "Marinina not only writes detective novels, but also answers eternal questions. The author treats his readers like a kind and experienced teacher to students who need support, guidance and guidance on the right path. Optimistic and practical in her didactics, Marinina poses the question “how to live" and tries to help the reader find his way to a better life in today's world. Marinina writes a modern novel "education of feelings" with her detective stories: the author's main goal is education through entertainment." — Anatoly Vishevsky, Grenell College, USA"Many of Alexandra Marinina's novels have been adapted into films in Russia and reworked into radio plays in Germany. Based on the fact that the purpose of these treatments is to capture viewers and listeners in the same way that readers are captured, the film and the radio play are not only additional works of fiction, but also interesting interpretations that have penetrated into the secret of Alexandra Marinina's success." — Sarah Hagi, University of Cologne, Germany"In the dialogues of fiction and trivial literature, one can find different ways of stylizing "verbality" in order to achieve the impression of spontaneous conversation. Everyday speech in A. Marinina's novels is characterized by an unusually high degree of animation, which is expressed, among other things, in the different forms of address of the interlocutors, in various shades of politeness and in the emotionality of the vocabulary used." — Wolfgang Stadler, Leopold Franzen University, Innsbruck, Austria.