Чувство льда

Bratʹi͡a-bliznet͡sy Filanovskie nikogda ne videli svoikh rano umershikh roditeleĭ. Ikh vospitali babushka i tetka. I vospitali uspeshnymi, ėnergichnymi li͡udʹmi. Eshche s zani͡atiĭ figurnym kataniem u nikh ostalosʹ "chuvstvo lʹda", pozvoli͡ai͡ushchee im derzhatʹ ravnovesie v samykh neprostykh zhiznennykh situat͡sii͡akh. Odnako ni Aleksandr, ni Andreĭ dazhe ne podozrevai͡ut o tshchatelʹno skryvaemykh "skeletakh v shkafu" - neprigli͡adnykh semeĭnykh taĭnakh. Blizkie pozabotilisʹ ob ėtom. No proshloe, zataivshisʹ, zhdet. I dostatochno li͡uboĭ sluchaĭnosti - naprimer, ėtogo nelepogo ubiĭstva molodoĭ zhenshchiny, - chtoby zhiznʹ opasno nakrenilasʹ i vyskolʹznula iz-pod nog, kak led iz-pod konʹkov figurista. . . "Marinina ne tolʹko pishet detektivnye romany, no i otvechaet na vechnye voprosy. Avtor otnositsi͡a k svoim chitateli͡am kak dobryĭ i opytnyĭ uchitelʹ k uchenikam, kotorye nuzhdai͡utsi͡a v podderzhke, podskazke i napravlenii na vernyĭ putʹ. Optimistichnai͡a i praktichnai͡a v svoeĭ didaktike, Marinina stavit pered soboĭ vopros "kak zhitʹ" i staraetsi͡a pomochʹ chitateli͡u naĭti svoĭ putʹ k luchsheĭ zhizni v segodni͡ashnem mire. Svoimi detektivami Marinina pishet sovremennyĭ roman "vospitanii͡a chuvstv": osnovnai͡a t͡selʹ avtora - vospitanie posredstvom razvlechenii͡a". - Anatoliĭ Vishevskiĭ, Grinellʹskiĭ kolledzh, SShA"Mnogie romany Aleksandry Marininoĭ v Rossii ėkranizirovany, a v Germanii pererabotany v radiopʹesy. Iskhodi͡a iz togo, chto t͡selʹ ėtikh obrabotok - zakhvatyvatʹ zriteleĭ i slushateleĭ takim zhe obrazom, kak zakhvacheny chitateli, to filʹm i radiopʹesa i͡avli͡ai͡utsi͡a ne tolʹko dopolnitelʹnymi khudozhestvennymi proizvedenii͡ami, no i interesnymi interpretat͡sii͡ami, kotorye pronikli v taĭnu uspekha Aleksandry Marininoĭ". - Sara Khėgi, Kelʹnskiĭ universitet, Germanii͡a"V dialogakh khudozhestvennoĭ i trivialʹnoĭ literatury mozhno obnaruzhitʹ raznye sposoby stilizat͡sii "ustnosti", chtoby dostichʹ vpechatlenii͡a spontannogo razgovora. Obikhodnai͡a rechʹ v romanakh A. Marininoĭ otlichaetsi͡a neobyknovenno vysokoĭ stepenʹi͡u ozhivlennosti, chto vyrazhaetsi͡a, mezhdu prochim, v raznykh formakh obrashchenii͡a sobesednikov, v razlichnykh ottenkakh vezhlivosti i v ėmot͡sionalʹnosti ispolʹzuemoĭ leksiki". - Volʹfgang Shtadler, Universitet imeni Leopolʹda Frant͡sena, Insbruk, Avstrii͡a.

The Filanovsky twin brothers had never seen their parents, who died early. They were raised by their grandmother and aunt. And they were raised by successful, energetic people. Ever since figure skating, they still have a "sense of ice" that allows them to keep their balance in the most difficult life situations. However, neither Alexander nor Andrey are even aware of the carefully hidden "skeletons in the closet" — unsightly family secrets. My family took care of it. But the past, lurking, is waiting. And any accident is enough — for example, this ridiculous murder of a young woman — for life to tilt dangerously and slip out from under your feet, like ice from under a figure skater's skates. Marinina not only writes detective novels, but also answers eternal questions. The author treats his readers like a kind and experienced teacher to students who need support, guidance and guidance on the right path. Optimistic and practical in her didactics, Marinina poses the question “how to live" and tries to help the reader find his way to a better life in today's world. Marinina writes a modern novel "education of feelings" with her detective stories: the author's main goal is education through entertainment." — Anatoly Vishevsky, Grenell College, USA"Many of Alexandra Marinina's novels have been adapted into films in Russia and reworked into radio plays in Germany. Based on the fact that the purpose of these treatments is to capture viewers and listeners in the same way that readers are captured, the film and the radio play are not only additional works of fiction, but also interesting interpretations that have penetrated into the secret of Alexandra Marinina's success." — Sarah Hagi, University of Cologne, Germany"In the dialogues of fiction and trivial literature, one can find different ways of stylizing "verbality" in order to achieve the impression of spontaneous conversation. Everyday speech in A. Marinina's novels is characterized by an unusually high degree of animation, which is expressed, among other things, in the different forms of address of the interlocutors, in various shades of politeness and in the emotionality of the vocabulary used." — Wolfgang Stadler, Leopold Franzen University, Innsbruck, Austria.