Все не так

Vse prekrasno v bolʹshom patriarkhalʹnom semeĭstve Rudenko. No - uvy! - vpechatlenie ėto obmanchivo: kazhdogo iz mnogochislennykh predstaviteleĭ semʹi oburevai͡ut svoi potaennye strasti i zapretnye zhelanii͡a. I potomu, kogda pogibaet - prichem i͡avno nasilʹstvennoĭ smertʹi͡u - odin iz chlenov klana Rudenko, to vse domochadt͡sy popadai͡ut pod podozrenie. Kakovo ėto - sidi͡a v tesnom semeĭnom krugu, soznavatʹ, chto odin iz nikh ubiĭt͡sa? No eshche strashnee zagli͡anutʹ sebe v dushu, posmotretʹ v glaza demonam, chto gnezdi͡atsi͡a v neĭ i zastavli͡ai͡ut zhiznʹ idti ne tak, kak nado. Imenno ėti demony podtalkivai͡ut cheloveka k toĭ cherte, perestupiv kotorui͡u povernutʹ nazad uzhe nevozmozhno…--------------------------------------------------"Marinina ne tolʹko pishet detektivnye romany, no i otvechaet na vechnye voprosy. Avtor otnositsi͡a k svoim chitateli͡am kak dobryĭ i opytnyĭ uchitelʹ k uchenikam, kotorye nuzhdai͡utsi͡a v podderzhke, podskazke i napravlenii na vernyĭ putʹ. Optimistichnai͡a i praktichnai͡a v svoeĭ didaktike, Marinina stavit pered soboĭ vopros "kak zhitʹ" i staraetsi͡a pomochʹ chitateli͡u naĭti svoĭ putʹ k luchsheĭ zhizni v segodni͡ashnem mire. Svoimi detektivami Marinina pishet sovremennyĭ roman "vospitanii͡a chuvstv": osnovnai͡a t͡selʹ avtora - vospitanie posredstvom razvlechenii͡a". - Anatoliĭ Vishevskiĭ, Grinellʹskiĭ kolledzh, SShA"Mnogie romany Aleksandry Marininoĭ v Rossii ėkranizirovany, a v Germanii pererabotany v radiopʹesy. Iskhodi͡a iz togo, chto t͡selʹ ėtikh obrabotok - zakhvatyvatʹ zriteleĭ i slushateleĭ takim zhe obrazom, kak zakhvacheny chitateli, to filʹm i radiopʹesa i͡avli͡ai͡utsi͡a ne tolʹko dopolnitelʹnymi khudozhestvennymi proizvedenii͡ami, no i interesnymi interpretat͡sii͡ami, kotorye pronikli v taĭnu uspekha Aleksandry Marininoĭ". - Sara Khėgi, Kelʹnskiĭ universitet, Germanii͡a"V dialogakh khudozhestvennoĭ i trivialʹnoĭ literatury mozhno obnaruzhitʹ raznye sposoby stilizat͡sii "ustnosti", chtoby dostichʹ vpechatlenii͡a spontannogo razgovora. Obikhodnai͡a rechʹ v romanakh A. Marininoĭ otlichaetsi͡a neobyknovenno vysokoĭ stepenʹi͡u ozhivlennosti, chto vyrazhaetsi͡a, mezhdu prochim, v raznykh formakh obrashchenii͡a sobesednikov, v razlichnykh ottenkakh vezhlivosti i v ėmot͡sionalʹnosti ispolʹzuemoĭ leksiki". - Volʹfgang Shtadler, Universitet imeni Leopolʹda Frant͡sena, Insbruk, Avstrii͡a.

Everything is fine in the large patriarchal Rudenko family. But, alas! — this impression is deceptive: each of the numerous representatives of the family is overwhelmed by their secret passions and forbidden desires. And therefore, when one of the members of the Rudenko clan dies — and clearly violently — then all the household members come under suspicion. How does it feel, sitting in a close family circle, to realize that one of them is a murderer? But it's even scarier to look into your soul, to look into the eyes of the demons that nest in it and make life go wrong. It is these demons that push a person to the point where it is impossible to turn back....--------------------------------------------Marinina not only writes detective novels, but also answers eternal questions. The author treats his readers like a kind and experienced teacher to students who need support, guidance and guidance on the right path. Optimistic and practical in her didactics, Marinina poses the question “how to live" and tries to help the reader find his way to a better life in today's world. Marinina writes a modern novel "education of feelings" with her detective stories: the author's main goal is education through entertainment." — Anatoly Vishevsky, Grenell College, USA"Many of Alexandra Marinina's novels have been adapted into films in Russia and reworked into radio plays in Germany. Based on the fact that the purpose of these treatments is to capture viewers and listeners in the same way that readers are captured, the film and the radio play are not only additional works of fiction, but also interesting interpretations that have penetrated into the secret of Alexandra Marinina's success." — Sarah Hagi, University of Cologne, Germany"In the dialogues of fiction and trivial literature, one can find different ways of stylizing "verbality" in order to achieve the impression of spontaneous conversation. Everyday speech in A. Marinina's novels is characterized by an unusually high degree of animation, which is expressed, among other things, in the different forms of address of the interlocutors, in various shades of politeness and in the emotionality of the vocabulary used." — Wolfgang Stadler, Leopold Franzen University, Innsbruck, Austria.